Skip to main content

Part 2 - “Composting“ Agenda

Part 2 - Composting Agenda 

Online: 03. - 07. October 


The Compost is a place for ‘composting’ – a process that aims to fertilize the specific ground where curatorial methods and practices in the performing arts take place. 

‘Composting’ is about sharing and exchanging materials and resources with a wide range of experiences and knowledge produced inside and outside the usual academic context. To engage in composting means to share interests, knowledge, and experiences on curating, and to let ’the compost’ work as a co-existing and co-creative space for a multitude of perspectives, simultaneously negotiating what this process will do, or become. curatingincontext.com/resources/composting/

Silke Balke, Tove Salmgren, Biljana Tanurovska – Kj and Una Bauer are offering and inviting in exploring, exchanging, and thinking diverse approaches of common work with diverse materials (texts, videos, objects, ideas, etc.) that can/will be used in the development of the curatorial ideas, practices, and processes of working by the students. 


03. October 

10.00 – 16.00 with Silke Balke 


04. October 

10.00 – 16.00 → with Tove Salmgren


05. October 

10.00 – 16.00 → with Biljana Tanurovska - Kjulavkovski


06. October 

10.00 – 16.00 → with Una Bauer 


07. October 

10.00 – 12.00 → wrap up Compost week with Biljana Tanurovska – Kjulavkovski and Tove Salmgren




Popular posts from this blog

About “Curating in Context” 2022

Summer School  “Curating in Context”,  Struga, North Macedonia 29.08.2022 – 02.09.2022 General Information Core Team: Biljana Tanurovska-Kjulavkovski – programme director, Blagica Petrova – programme and financial manager, Zorica Zafirovska – programme and project coordinator, Gjurgjica Hristovska administrator; Collaborators: Kristina Todoroska-Petreska – local coordination and PR, Hristijan Tomanoski, Milko Nestoroski – local technical support, and Aleksandra Nestoroska – photographer. Summer School “Curating in Context” /  Intensive week in Struga, North Macedonia ( Aug. 29 – Sept. 2) is the first part of the  Freestanding Course, HT 2022 / Curatorial Practice and Context, 7.5 credits, HT 2022 The Course is created in four parts and consists of lectures, seminars, mentor sessions, and individual work:  Summer School “Curating in Context” /  Intensive week in Struga, North Macedonia  Aug. 29 – Sept. 2 An intensive week of lectures, discussions, presentations, and workshops. “Compos

Detailed Agenda of the “Curating in Context“ Week, Struga 2022

/english/ 29.08. Monday 11.00 – 12.15 →   Introduction and context presentation/ Brief introduction on the course presentation of the SKH, OPEN course, and presentation of the participants by Tove Salmgren and Biljana Tanurovska–Kjulavkovski Bio: Tove Salmgren  works as a dancer, choreographer, curator, and educator. Since 2016 she leads, together with the artist Kajsa Wadhia, Köttinspektionen Dans, an artist-driven platform and place for experimental dance and choreography in Uppsala, Sweden. As a choreographer, she explores shifted perspectives and reality, often through tiny interventions, based on the interest in negotiating what art (and non-art) can do and be a place for the emancipatory unknown. Tove has over the last decade been part of various artistic collaborations, such as “The Blob” (initiated by Anna Efraimsson), a curatorial persona exercising and practicing an institutional critique of art, knowledge and beyond, the curatorial collaboration “We happen things” (with Mano

Open Call for Applications for the programme Critical Practice (Made in Yugoslavia)

Critical Practice (Made in Yugoslavia) Open Call for Applications Deadline:  January 20, 2023 Mentors of the programme:  Ana Vujanović ,  Marijana Cvetković  and  Biljana Tanurovska-Kjulavkovski More about the programme at  criticalpractice-madeinyu.dancestation.org/about This edition of the programme is part of the  apap – Feminist Futures  project that addresses inequality in the contemporary performing arts field, using the body of thought consolidated by the term  Intersectional Feminism  to find concrete structural answers and raise public awareness. Through its Feminist Futures Festivals, Feminist school and other programmes it will offer the participants of the Critical Practice (Made in Yugoslavia) a space for learning, producing and collaborating. apapnet.eu Emerging authors (writers, critics, researchers, theoreticians) and those interested in further professional development in the field of critical practice in contemporary performing arts can advance their writing and discu