Skip to main content

Part 3 - “Politics and Ethics of Production“ Agenda




Part 3 - Politics and Ethics of Production Agenda 

Online: 07. - 11. November


07.11. Monday 

10.00 – 11.30 → Jenny Richards, independent curator, and Ph.D. candidate Konstfack, Sweden

“Reproducing differently - cultivating caring practices within the contradictions of the curatorial” 

11.45 – 13.00 →  wrap up/group work with Biljana Tanurovska Kj and Tove Salmgren


08.11. Tuesday

10.00 – 11.00 → Ksenija Djurovic, cultural worker and producer based in Belgrade

A conversation on navigating the troubled waters of producing and presenting contemporary performing arts from an institutional perspective (Bitef festival) with an independent scene background 

11.15 – 12.30 → Smaller groups talk and wrap up of this day with Biljana Tanurovska Kj and Tove Salmgren


09.11. Wednesday

13.00 – 15.00 → Anna Efraimsson, curator and theatre director MDT, Stockholm                      

“Feminist leadership/production perspective” 


10.11. Thursday

10.00 – 13.00 → Sergej Pristas, professor at FDU Zagreb

“Chrono-Logics of Artwork” 


11.11. Friday

10.00 – 12.00 → wrap up of the week with Biljana Tanurovska Kj and Tove Salmgren


Popular posts from this blog

About “Curating in Context” 2022

Summer School  “Curating in Context”,  Struga, North Macedonia 29.08.2022 – 02.09.2022 General Information Core Team: Biljana Tanurovska-Kjulavkovski – programme director, Blagica Petrova – programme and financial manager, Zorica Zafirovska – programme and project coordinator, Gjurgjica Hristovska administrator; Collaborators: Kristina Todoroska-Petreska – local coordination and PR, Hristijan Tomanoski, Milko Nestoroski – local technical support, and Aleksandra Nestoroska – photographer. Summer School “Curating in Context” /  Intensive week in Struga, North Macedonia ( Aug. 29 – Sept. 2) is the first part of the  Freestanding Course, HT 2022 / Curatorial Practice and Context, 7.5 credits, HT 2022 The Course is created in four parts and consists of lectures, seminars, mentor sessions, and individual work:  Summer School “Curating in Context” /  Intensive week in Struga, North Macedonia  Aug. 29 – Sept. 2 An intensive week of lectures, discussions...

Detailed Agenda of the “Curating in Context“ Week, Struga 2022

/english/ 29.08. Monday 11.00 – 12.15 →   Introduction and context presentation/ Brief introduction on the course presentation of the SKH, OPEN course, and presentation of the participants by Tove Salmgren and Biljana Tanurovska–Kjulavkovski Bio: Tove Salmgren  works as a dancer, choreographer, curator, and educator. Since 2016 she leads, together with the artist Kajsa Wadhia, Köttinspektionen Dans, an artist-driven platform and place for experimental dance and choreography in Uppsala, Sweden. As a choreographer, she explores shifted perspectives and reality, often through tiny interventions, based on the interest in negotiating what art (and non-art) can do and be a place for the emancipatory unknown. Tove has over the last decade been part of various artistic collaborations, such as “The Blob” (initiated by Anna Efraimsson), a curatorial persona exercising and practicing an institutional critique of art, knowledge and beyond, the curatorial collaboration “We happen things” (...

Critical practice for “Curatorial practice in context”

Curating in Context Summer School Struga, Northern Macedonia, August 29 – September 5, 2022   Con-texts: the curatorial, the lake, the writing bodies and bodies of water  Few notes from Struga Summer School / a collective diary of sharing thoughts Anka Herbut, Elena Novakovits, Jette Büchsenschütz, Kasia Wolińska,   Maeve Johnson, Maša Radi Buh Collage by Kasia Wolińska Where is your body now? How does it feel?  Cause my body, for instance, is trying to recall and tune in to the feeling it experienced when the above questions were introduced at the very beginning of the Summer School in Struga. We were sitting on a sunny terrace in a circle, facing each other, trying to return to our bodies in order to feel what we’re coming with, what we could bring into the collective process that was just about to begin, what we were ready (or not) to share. My body came to Struga quite overwhelmed by holidays which actually were not so holidayish, but instead they were rich ...